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Sinister (film) Edit

Sinister is a 2012 slasher horror film directed by Scott Derrickson and written by Derrickson and C. Robert Cargill. It stars Ethan Hawke as fictional true-crime writer Ellison Oswalt who discovers a box of home movies in his attic that puts his family in danger.Sinister premiered at the SXSW festival, and was released in the United States on October 12, 2012, and in the UK on October 5, 2012.

Plot Edit

The film opens with Super 8 footage depicting a family of four standing beneath a tree with hoods over their heads and nooses around their necks. An unseen figure saws through a branch acting as a counterweight, causing their deaths by hanging.

Months later, washed-up true crime writer Ellison Oswalt (Ethan Hawke) moves into the murdered family's home with his wife, Tracy (Juliet Rylance), and their two children, 7-year-old Ashley (Clare Foley), an artist who is allowed to paint on her walls, and 12-year-old Trevor (Michael Hall D'Addario), who begins re-experiencing bizarre night terrors upon moving into the home. Only Ellison is aware that the house they are moving into was the crime scene. Ellison intends to use the murders as the basis for his new book, and hopes that his research will turn up the fate of the family's fifth member, a 10-year-old girl named Stephanie who disappeared following the murders.

Ellison finds a box in the attic that contains a projector and several reels of Standard 8 mm footage that are each labeled as innocent home movies. Watching the films, Ellison discovers that they are actually snuff movies depicting families being murdered in various ways: being drowned in their pool (Pool Party '66), being burnt to death in a car (BBQ '79), being run over by a lawn mower (Lawn Work '86), having their throats slit in bed (Sleepy Time '98), and the hanging that opened the movie (Family Hanging Out '11). The drowning film proves especially disturbing for Ellison after he notices the face of a demonic figure watching the drownings from the bottom of the pool. Ellison eventually finds the figure observing the murders in each of the films, along with a strange painted symbol; inspecting the lid of the box containing the films, Ellison discovers childish drawings depicting the murders, along with crude sketches of the demonic figure, identified as "Mr. Boogie."

Consulting a local deputy (James Ransone), Ellison discovers that the murders depicted in the films took place at different times, beginning in the 1960s, and in different cities across the country. He also learns that some of the families were drugged before being killed; and that a child from each family went missing following every murder. The deputy refers Ellison to a local professor, Jonas (Vincent D'Onofrio), whose expertise is the occult and demonic phenomena, to decipher the symbol in the films. Jonas tells Ellison that the symbols are that of a pagan Babylonian deity named Bughuul (Nick King), referred to as Mr. Boogie, who would kill entire families and then take one of their children into his realm in order to consume their souls.

One night, Ellison spots Bughuul outside in bushes and rushes outside, armed with a baseball bat, only to find Trevor, having experienced yet another night terror and rushes him back inside. Ellison returns outside to retrieve his bat when he encounters arottweiler and attempts to grab his bat. The dog sees the missing children standing behind Ellison, causing the dog to flee out of fear. The second night, Ellison hears a noise within the home and, again armed with his bat investigates, being plagued by the missing children in various states of decay. After Ellison checks in on Ashley and leaves, Stephanie is shown in front of Ashley, having painted her family's murder with Bughuul. The third night, Ellison hears the film projector running and goes up to the attic. There, he finds the missing children watching one of the films. Bughuul suddenly appears on camera before physically appearing before Ellison. Ellison takes the camera and the films to the backyard and burns them. His recently awakened wife meets him outside and he tells her that they're immediately moving back to their old house.

At his old home, Ellison receives a message from Professor Jonas, who sends him scans of historical images associated with Bughuul; each drawing had been partially destroyed by the early Christians, who believed that images of demons served as a gateway for them to come from the spiritual realm to the mortal world. Ellison discovers the projector and films in his attic, along with a new envelope of film labeled "extended cut endings". During this time, the deputy tries calling several times, but Ellison never answers. The next time the deputy calls, while Ellison is assembling the films, he finally answers. The deputy informs him that he has discovered a link between the murders: every family had previously lived in the house where the last murder took place, and each new murder occurred shortly after the family moved into their new residence; by moving, Ellison has placed himself and his family in the "timeline of events" and puts his family in line to be the next victims.

Ellison watches the footage. He finds that it depicts the missing children coming onscreen following each murder, revealing themselves to be the killers, apparently under Bughuul's possession before suddenly disappearing. Before he can react, Ellison becomes light-headed and upon inspection of his coffee cup he finds a note reading "Good Night, Daddy" before losing consciousness. Ashley appears behind Ellison, revealing herself to be the drugger, under Bughuul's possession, likely contracted from her encounter with Stephanie. Ellison awakens to find himself, his wife and his son bound and gagged. Ashley approaches holding the 8 mm camera, and promises him that she will make him famous again. Ashley then murders her family with an axe, using their blood to paint images of cats, dogs and unicorns on the walls. Her work complete, Ashley views the Super-8 film of her murders, which concludes with an image of the missing children watching her. Bughuul appears, causing the children to flee. He lifts Ashley into his arms and disappears into the film with her.

The film concludes with an image of the box of films in the Oswalt family's attic, now accompanied by Ashley's reel, labeled "House Painting '12". The camera slowly pans away from the box, until Bughuul appears onscreen before the screen cuts out.

Cast Edit

  • Ethan Hawke as Ellison Oswalt
  • Juliet Rylance as Tracy Oswalt
  • Fred Thompson as Sheriff
  • James Ransone as Deputy
  • Michael Hall D'Addario as Trevor Oswalt
  • Clare Foley as Ashley Oswalt
  • Vincent D'Onofrio as Professor Jonas (uncredited)
  • Victoria Leigh as Stephanie Stevenson / Family Hanging Out Girl
  • Cameron Ocasio as BBQ Boy
  • Ethan Haberfield as Pool Party Boy
  • Danielle Kotch as Lawn Work Girl
  • Blake Mizrahi as Christopher Miller / Sleepy Time Boy
  • Nick King as Bughuul (a.k.a. Mr. Boogie)

Production Edit

Writer C. Robert Cargill says that his inspiration for the movie came from a nightmare he experienced after seeing The Ring, in which he discovered a film in his attic depicting the hanging of an entire family. This scenario became the setup for the plot of Sinister.[3] In creating a villain for the film, Cargill conceptualized a new take on the Bogeyman, calling the entity "Mr. Boogie". Cargill's idea was that the creature would be both terrifying and seductive to children, luring them to their dooms as a sinister Willy Wonka-like figure.[4]Cargill and co-writer Scott Derrickson ultimately decided to downplay the creature's alluring nature, only intimating how it manipulates the children into murder. In further developing Mr. Boogie, the pair had lengthy discussions about its nature, deciding not to make it a demon but rather a pagan deity, in order to place it outside the conceptual scope of any one particular religion. Consequently, the villain was given the proper name "Bughuul", with only the child characters in the film referring to it as Mr. Boogie.

In crafting a look for Bughuul, Cargill initially kept to the idea of a sinister Willy Wonka before realizing that audiences might find it "silly" and kill the potential for the film becoming a series. Looking for inspiration, Derrickson typed the word "horror" into flickr and searched through 500,000 images. He narrowed the images down to 15, including a photograph of a ghoul which was tagged simply "Natalie". Cargill was particularly struck by "Natalie" and decided: "What if it's just this guy?". He and Derrickson contacted the photographer and purchased the rights to use the image for $500. Derrickson explained that the image appealed to him because it reminded him of the makeup and costumes worn by performers in black metal, while remaining unique enough so as not to be directly linked to the genre; Derrickson had previously researched black metal while looking for inspiration for Bughuul's symbol, which is ritualistically painted at the scene of each of the film's murder sequences.[4][5]

Shooting for Sinister began in autumn of 2011, after Ethan Hawke and Juliet Rylance signed on to star in the film.[6] The super 8 segments were shot first, using actual super 8 cameras and film stock, in order to maintain the snuff films' aesthetic authenticity.[7] Principal photography took place on Long Island. In an interview with Bleeding Cool, screenwriter Cargill admitted that Ethan Hawke's character got his name (Ellison Oswalt) from writer Harlan Ellison and comedian/writer Patton Oswalt. Cargill keeps books by both men on his shelves.

Release Edit

First revealed at the SXSW festival in the United States, Sinister premiered in the United Kingdom at the London FrightFest and in Spain at the Sitges Film Festival.[8][9]

Reception Edit

Reviews for Sinister were generally positive, with Variety praising the movie as "the sort of tale that would paralyze kids' psyches".[10] The film has a 63% rating on Rotten Tomatoes with 132 reviews.[11] The consensus of the site is: "Its plot hinges on typically implausible horror-movie behavior and recycles countless genre cliches, but Sinisterdelivers a surprising number of fresh, diabolical twists."[12] Metacritic gave the film a score of 53 out of 100, based on 30 critics, indicating "mixed or average" reviews.

Film.com stated that Sinister was a "deeply frightening horror film that takes its obligation to alarm very seriously".[13] Roger Ebert gave it 3 out of 4 stars, calling it "an undeniably scary movie."[14] E! named it the best horror film of 2012, citing the film's soundtrack and subversion of contemporary horror tropes.[15]

CraveOnline called the film "solid" but remarked that the film "doesn't quite go to the next level that gets me like an Insidious",[16] and IGN praised the film's story while criticizing some of Sinister's "scream-out-loud moments" as lazy.[17]

Ryan Lambie of Den of Geek wrote,

Reviewer Garry McConnachie of Scotland's Daily Record rated the film 4 of 5 stars, saying, "This is how Hollywood horror should be done... Sinister covers all its bases with aplomb."[19]

Lambie, rating the movie 3 of 5 stars, says that despite its "faults, there's something undeniably powerful about Sinister. Hawke's performance holds the screen through its more hackneyed moments, and it's the scenes where it's just him, a projector, and a few feet of hideous 8 mm footage where the movie truly convinces. And while its scares are frequently cheap, it's also difficult to deny that Sinister sometimes manages to inspire moments of palpable dread." The reviewer for Time Out London granted only 2 out of 5 stars, saying, "This so-so, occasionally effective horror film combines found-footage creepiness and haunted-house scares – but is stronger on mood than story."[20]

Some reviewers have criticized the film's preoccupation with dead media. Peter Howell of The Toronto Star (who gave the film 2 out of 4 stars) argues that the movie tries for "old school shocks" but "can't afford a pre-Internet setting." [21] Newsday's Rafer Guzman's review claims that "celluloid is such a warm, friendly old format that it seems unlikely to contain the spirit of, say, a child-eating demon.".[22] Academic study of the film, however, tends to view Sinister's representation of both old and new media formats as a study intransmediation.[23]

Home media Edit

The film was released on DVD and Blu-ray Disc on February 11, 2013, in the UK and February 19, 2013, in the US[24] with two commentaries (one with director Scott Derricksonand another with writer C. Robert Cargill). The release also included two new features (True Crime Criminals and Living in a House of Death) as well as a featurette on the Sinister Fear Experiment performed by Thrill Laboratory in celebration of the film's theatrical release.

Sequel Edit

A sequel was announced to be in the works in March 2013, with Scott Derrickson in talks to co-pen the script with C. Robert Cargill, but not to direct.[25] On 17 April, 2014, it was announced that Ciaran Foy will direct the film, Brian Kavanaugh-Jones, Charles Layton, Xavier Marchand and Patrice Théroux will executive produce the sequel with eOne Entertainment.[26] The film is set for release on 21 August, 2015.

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